A series of horizontal discs in clear tempered glass for a true light installation. This lamp brings timeless elegance to even the largest of interiors.
Suspension lamp. Transparent tempered glass discs. Tubular sandblasted glass diffuser. Chrome-plated brass frame. Canopy and all frame trim are chromed.
Dimensions: 20.9"D X 21.65"H; 104.35" max height Materials: glass, brass, metal Lamp Type: Compact fluorescent, CFL, fluorescent Bulbs: 2 X 36W 120V 2G11 compact fluorescent lamps (not included)
Right from the start, this eclectic character was active in the fields of architecture, painting, graphics and set design. He graduated from Milan Polytechnic in 1920 and was art director for Richard-Ginori from 1923 to 1930. In 1926, with editor Gianni Mazzocchi, he founded the magazine Domus, staying on as editor until his death. He was invited to take over the art direction of Luigi Fontana in 1931 and in 1932 he founded FontanaArte with Pietro Chiesa.He was one of the promoters of the Compasso d'Oro Award and a founder member of the ADI (Italian association for industrial design), as well as curating programmes for the Milan Triennale on many occasions and teaching at Milan Polytechnic.He designed numerous famous public and private buildings, including the houses in Via De Togni, the tower-house in Corso Venezia, offices for RAI and Ferrania, the Littoria tower in Parco Sempione, the Pirelli skyscraper in Milan, Taranto Cathedral, Villa Planchart in Caracas, and Denver Museum of Modern Art.In the field of design he created timeless furniture, lighting and objects for FontanaArte, as well as the Superleggera chair and furniture for Cassina, Christofle cutlery and Richard Ginori china. Some of his FontanaArte pieces still in production include the 0024, Bilia, Pirellina and Pirellone lamps, and the Tavolino 1932 table.
Architect Gio Ponti founded FontanaArte in 1932 as an artistic division of the Luigi Fontana Company. Historically, the company has been a leader in advanced glass manufacturing and design. The company's works were first distinguished by its realization of artistic stained-glass windows, many of which are today still functional elements and ornamental features of churches and cathedrals, among them the Duomo of Milan and the Cathedral of Brasilia. By using glass, Ponti realized what an enormous potential this material could offer in the in the making of furnishing complements for interiors, and he started to design and produce furniture, lamps and objects with glass as the main distinguishing feature. Soon a new collection was ready to be marketed, and his new design concept was being used as a complement to the interior decoration of many houses that he personally designed. Over the years, FontanaArte has had many contributors to its designs, including Pietro Chiesa, Gae Aulenti, Pierluigi Cerri, Piero Castiglioni, Vico Magistretti, Vittorio Gregotti, Ettore Sottsass, Umberto Riva, Alvaro Siza and Renzo Piano.